A few weeks ago, in episode 239, we talked about using your eyes to visualize how notes of the melodic line move on the staff.
It is important to involve your eyes when playing the piano. Equally important, if not more so, is to involve your ears. Pianists need to be able to use their internal mechanism to imagine what the notes will sound like, even without physical sound to help them.
That is the topic of today’s show.
Listen to the full episode here
Pianists have it easier than other instrumentalists
Pianists have it easier than other instrumentalists when it comes to playing in tune. Though, I suppose you could say the opposite is true.
If a piano is in tune, all a pianist has to do is find the correct key and press it; the note is in tune. If a string player presses the string too high or too low, their sound will be sharp or flat. A singer must also be very precise with their voice to produce a pleasing sound.
This unfortunate singer wasn’t able to keep her voice on pitch. If this creative accompanist had been playing for her at the time instead of after the fact, I’m sure she would have had a much better result.
On the flipside, there isn’t much a piano player can do about an out-of-tune piano. String players and vocalists have the upper hand in that case. They use their ears to zero in on the correct pitch.
Pianists should be using their ears more than they do.
Three advantages of singing for pianists
Start singing at a young age.
When children sing, they are developing language skills; they are practicing speech. Young singers are learning to feel the rhythmic pulse of the music. Their voices are practicing moving up and down with the melody.
Singing traditional folk songs passes down a family legacy. Not only will your piano kid learn the same music you learned as a child, and your parents learned when they were children, but these simple songs are easily adaptable to the piano.
Play these tunes by ear on the piano. Play with the lyrics. “Twinkle, twinkle little star…” could easily be changed to “Now it’s time to make the bed…..” What a wonderful way to practice mental acuity.
Audiation and sight singing.
Audition is the ability to imagine music in your head. Sight singing is the ability to look at musical notes on the page and sing at sight.
Many vocalists use the solfege syllables to learn the various pitches within a scale. I’m sure you’ve heard of Do, Re, Mi, Fa, Sol, La, Ti, and Do. (Did you sing it as you read them just now? I did!)
Singing numbers is just as effective and removes the barrier of having to remember which syllable goes where.
Find a starting pitch – this is 1. Sing that pitch and the next pitch a step above – 1 – 2 – 1. Keep going, adding one more pitch each time.
Singing helps you play by ear.
If you can sing your favorite pop song or praise and worship music, you can use that skill to be able to find the correct notes to play on the piano. If your voice goes up to sing a note, you will need to find the piano key to the right. If the note is lower, play a piano key to the left.
When you add the aural element of playing the piano, you will become a more independent musician.
Resources mentioned in today's show
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